The firelight played about her hair. “I suppose every woman dreams of reviving the old French Salon,” she answered. “They must have been gloriously interesting.” He was leaning forward with clasped hands. “Why shouldn’t she?” he said. “The reason that our drawing-rooms have ceased to lead is that our beautiful women are generally frivolous and our clever women unfeminine. What we are waiting for is an English Madame Roland.” “But what’s the difference,” demanded Joan, “between a man owning one paper with a circulation of, say, six millions; or owning six with a circulation of a million apiece? By concentrating all his energies on one, a man with Carleton’s organizing genius might easily establish a single journal that would cover the whole field.”!

Madame Lelanne must have carried her down the ladder. She was standing in the yard, and the dust was choking her. Across the street, beyond the ruins of the hospital, swarms of men were running about like ants when their nest has been disturbed. Some were running this way, and some that. And then they would turn and run back again, making dancing movements round one another and jostling one another. The guns had ceased; and instead, it sounded as if all the babies in the world were playing with their rattles. Suddenly Madame Lelanne reappeared out of the dust, and seizing Joan, dragged her through a dark opening and down a flight of steps, and then left her. She was in a great vaulted cellar. A faint light crept in through a grated window at the other end. There was a long table against the wall, and in front of it a bench. She staggered to it and sat down, leaning against the damp wall. The place was very silent. Suddenly she began to laugh. She tried to stop herself, but couldn’t. And then she heard footsteps descending, and her memory came back to her with a rush. They were German footsteps, she felt sure by the sound: they were so slow and heavy. They should not find her in hysterics, anyhow. She fixed her teeth into the wooden table in front of her and held on to it with clenched hands. She had recovered herself before the footsteps had finished their descent. With a relief that made it difficult for her not to begin laughing again, she found it was Madame Lelanne and Monsieur Dubos. They were carrying something between them. She hardly recognized Dubos at first. His beard was gone, and a line of flaming scars had taken its place. They laid their burden on the table. It was one of the wounded men from the hut. They told her they were bringing down two more. The hut itself had not been hit, but the roof had been torn off by the force of the explosion, and the others had been killed by the falling beams. Joan wanted to return with them, but Madame Lelanne had assumed an air of authority, and told her she would be more useful where she was. From the top of the steps they threw down bundles of straw, on which they laid the wounded men, and Joan tended them, while Madame Lelanne and the little chemist went up and down continuously. Before evening the place, considering all things, was fairly habitable. Madame Lelanne brought down the great stove from the hut; and breaking a pane of glass in the barred window, they fixed it up with its chimney and lighted it. From time to time the turmoil above them would break out again: the rattling, and sometimes a dull rumbling as of rushing water. But only a faint murmur of it penetrated into the cellar. Towards night it became quiet again. It surprised her when one evening after dinner he introduced it himself.

He shrugged his shoulders. “Oh, they are always eager enough for it, at first,” he answered. “There is the excitement. The curiosity. You must remember that life is a monotonous affair to the great mass of the people. There’s the natural craving to escape from it; to court adventure. They are not so enthusiastic about it after they have tasted it. Modern warfare, they soon find, is about as dull a business as science ever invented.” After a while, her eyes opened. Joan drew her chair nearer and slipped her arm in under her, and their eyes met. “I couldn’t face it,” he went on; “the way people would be looking at me in trains and omnibuses; the things people would say of me, the things I should imagine they were saying; what my valet would be thinking of me. Oh, I’m ashamed enough of myself. It’s the artistic temperament, I suppose. We must always be admired, praised. We’re not the stuff that martyrs are made of. We must for ever be kow-towing to the cackling geese around us. We’re so terrified lest they should hiss us.”